Eye Candy of Occupy Wall Street

Here here and here.

Literary Supporters of Occupy Wall Street

Here are the As:

* Laurie Abraham, author of The Husbands and Wives Club
* Susan Abulhawa, author of Mornings in Jenin
* Kevin Adams, author of Continuous Life
* Lorraine Adams, author of Harbor
* Pip Adam, author of Everything We Hoped For
* Nancy Agabian, author of Me as Her Again
* David Agranoff, author of The Vegan Revolution with Zombies
* Rose Aguilar, author of Red Highways
* Sergio Alejandro Aguillon-Mata, author of Quien Escribe
* Joe Ahearn, author of Five Fictions
* Steve Ahlquist, author of The Oz Squad
* Manan Ahmed, author of Where the Wild Frontiers Are
* Elisa Albert, author of The Book of Dahlia
* Malaika King Albrecht, author of Spill
* Michelle Aldredge, editor of Gwarlingo
* Alma Alexander, author of The Secrets of Jin Shei
* William Alexander, author of Goblin Secrets
* Tariq Ali, author of The Duel
* Dee Allen, author of Boneyard
* Dorothy Allison, author of Bastard Out of Carolina
* Steve Almond, author of Letters from People Who Hate Me
* Eric Alterman, author of What Liberal Media?
* Andrew Foster Altschul, author of Deus Ex Machina
* Ivy Alvarez, author of Mortal
* P.F. Anderson, editor, MLA Encyclopedic Guide to Searching and Finding Health Information on the Web
* Natalie Angier, author of Woman
* Jessica Anthony, author of The Convalescent
* Nick Antosca, author of Fires
* Joyce Appleby, author of The Relentless Revolution
* Debby Applegate, author of The Most Famous Man in America
* Philip Appleman, author of Perfidious Proverbs
* Giovanni Arduino, Mai Come Voi
* Meakin Armstrong, editor, Guernica
* Katie Arnold-Ratliff, author of Bright Before Us
* Rilla Askew, author of Fire in Beulah
* James Atlas, My Life in the Middle Ages
* Shaun Attwood, author of Hard Time
* Margaret Atwood, author The Handmaid’s Tale
* Esmahan Aykol, author of Hotel Bosphorus
* Anne Aylor, author of The Double Happiness Company

For the rest of the alphabet: OccupyWriters.com

Why I Am Addicted to the Internet

It's not rewiring for the information age, it's just that the information age is so much... fun. Well, a certain kind of fun. It does feel like a waste of time if you spend all day at it, whereas a good book never feels like a waste of time.

"...the biggest surprise, and the one most relevant to current debates, is a “revolutionary” experiment Linden discusses near the end of his book. Researchers at the National Institutes of Health gave thirsty monkeys the option of looking at either of two visual symbols. No matter which they moved their eyes to, a few seconds later the monkeys would receive a random amount of water. But looking at one of the symbols caused the animals to receive an extra cue that indicated how big the reward would be. The monkeys learned to prefer that symbol, which differed from the other only by providing a tiny amount of information they did not already have. And the same dopamine neurons that initially fired only in anticipation of water quickly learned to fire as soon as the information-providing symbol became visible. “The monkeys (and presumably humans as well) are getting a pleasure buzz from the information itself,” Linden writes.

"If this discovery proves reliable, it implies that the Internet doesn’t change our brains at all, for good or for ill. It doesn’t damage brain areas, destroy links between parts of our brains, or grow new areas or connections. What the Internet does is stimulate our reward systems over and over with tiny bursts of information (tweets, status updates, e-mails) that act like primary rewards but can be delivered in more varied and less predictable sequences. These are experiences our brains did not evolve to prefer, but like drugs of abuse, they happen to be even better suited than the primary reinforcers to activating the reward system. So if you find yourself stopping every 30 seconds to check your Twitter feed, your brain has no more been rewired than if you find yourself taking a break for ice cream rather than celery. Picking the more rewarding stimulus is something our brains can do perfectly well with the wiring they start out with."
NY Times review of THE COMPASS OF PLEASURE
How Our Brains Make Fatty Foods, Orgasm, Exercise, Marijuana, Generosity, Vodka, Learning, and Gambling Feel So Good
By David J. Linden

Margaret Atwood: Alternative Worlds and Changing Our Own for the Better

"Margaret Atwood and Canopy are piloting a new highly advanced species of paper with galactic potential for business and communities, and superhuman capacity to protect endangered forests.

"Second Harvest Paper is made without any harm to fragile forest ecosystems. It contains only straw left over from the grain harvest, and recycled paper. It is the next step forward in Canopy’s campaign to reduce the stress of paper production on our endangered forests.
Canopy Presents...

"A Limited Special Edition of Margaret Atwood’s In Other Worlds
First Book Ever on Straw Paper in North America!"

There's a link to purchase the book. Unfortunately, it costs $100, tho if waste straw were used to produce paper in any volume, it would cost a lot less than wood pulp paper. I ordered the conventional book from Barnes & Noble. I'm not sure we have to worry as much about books using up trees as about unnecessary things like junk mail, even other disposable paper products -- napkins, toilet paper, paper towels, that could better be made with straw.

On the subject of alternative worlds, such as in Oryx and Crake and Year of the Flood and The Handmaids's Tale, Atwood rocks. I'm sure this collection will be as fascinating as her Negotiating with the Dead, which I recommend as highly as possible.

A small, normal thing: Bookstore in a tent

After the Fukushima disaster washed 230,000 books out to sea, the owners of the bookstore reopened in a tent in response to local demand. Mainichi Daily News.

"Between May 16 and 21, the couple opened a temporary bookstore using a 2-ton truck... at a parking lot of an auto retailer along a prefectural road, which had escaped major damage. A total of 3,000 people visited the tentative bookstore in six days, resulting in 2.05 million yen in sales.

"In July, the Chidas started to run a tented bookstore every Friday through Sunday. Once again, many people flocked to the bookstore from their shelters.

"Kai Onodera, 11, an elementary school student in Kesennuma, bought two manga titles at the makeshift bookstore on the evening of Sept. 18. The tsunami had claimed the lives of his grandmother and aunt and destroyed his home. It was four days after the magnitude-9.0 quake struck that he was reunited with his parents who were taking shelter at different places. Since his family moved into an apartment far from his school in April, Kai has no friends to hang around with in his neighborhood.

"'When I'm reading manga, I get amused and distracted, if only for a little while,' Kai said with a smile."

People living in refugee shelters are buying books -- I can imagine how important that small return to normalcy is for them, after the earthquake/tsunami/nuclear meltdowns. Browsing and buying books must seem so reassuring, especially as the problem is far from over.

Occupy Wall Street has its Own Library

Occupy Wall Street Library (OWSL)

I've tried not to get too political with this blog, so I haven't been posting about Occupy Wall Street, much as it does my heart good. I'm happy to be able to report that there is a free lending library available to demonstrators. Click the link to get a look at some of the titles. The books are all marked "Occupy Wall Street Library" or "OWSL" on their edges.

Men of the Stacks

A calendar of library guys, all for a good cause.

Fiction: Because Real Life Sucks!

25 Depressing Photos of Closed Bookstores

The atmosphere of bookstores, the cleverness and fun, the love of words and books, the dedication and knowledge of the bookstore owners and employees... will be missed. It's hard to believe indie bookstores are going the way of the dinosaurs, but they are. Borders is gone, too, tho Barnes & Noble seems healthy enough.

New Jersey teens can't read Norwegian Wood

Murakami's novel of love and mental illness, because parents complained of drug and sex scenes.

They can still read Town of Cats, an excerpt from his new novel, IQ84, which will be out next month. This excerpt deals with a young man's relationship with his difficult father, and uses the device of a story -- a man lost in a town of cats -- within a story to illustrate that this weird, not self-created predicament is "the place where he is meant to be lost." His life, in other words. Teens should identify with that, no?

I loved the excerpt and am impatient for the book to arrive.

Meanwhile, I will have to be content with this Q&A with the author on Town of Cats in the New Yorker.

I could also read Murakami on talent, focus, endurance -- what writing has in common with running.

Hurricane Reading

The New Yorker recommends Six Shorts to Read During a Hurricane. Sylvia Plath, Joyce Carol Oates, Joseph Conrad, Lydia Davis, Kerouac and Rimbaud get mentions. Stormy settings and descriptions.

Or, you could try Ten Novels About Solitude.

And if you prefer earthquakes to hurricanes: Timequake, After the Quake, Fault Lines and Earthquakes. There are buy links at the New Yorker site, but be warned: Fault Lines is about economics and Earthquakes is a kids' book. I'd go with the Vonnegut or the Murakami.

My choice for Hurricane Irene weekend is Paula Fox's Desperate Characters. The title suits practically any situation. And, I hear the author will be at the Brooklyn Book Festival in September.

How Stephen King Really Got That Way

I loved this article at Shelf Awareness about King and the bookmobile lady who gave him Lord of the Flies, due out in a new edition with his introduction:

"Do you have any stories about how kids really are?" She thought about it, then went to the section of the Bookmobile marked Adult Fiction, and pulled out a slim hardcover volume. "Try this, Stevie," she said. "And if anyone asks, tell them you found it yourself. Otherwise, I might get into trouble."

In On Writing, King mentions The Inheritors and Pincher Martin, also by Golding, both of which I read on his recommendation, and which are worth reading, even if not as compelling as Golding's more famous book. In The Inheritors, Golding imagines early human species interacting and competing. In Pincher Martin, a man has two lives, one with pinchers. Odd little book, but one which would almost certainly have gotten more attention if published today. I was happy to find both of these and I hereby pass on the recommendation.

As far as King's work, my favorites are Different Seasons, especially Apt Pupil, The Long Walk and The Stand. The Mist is a great story, too.

Publishing is Not Dying

And the biggest surprise is adult fiction, the market for which has grown in the last couple of years. More adults are also reading YA fiction, which is fiction with young characters. It's often written more simply than adult fiction, which can mean it's an "easier" read, but can also mean it lacks the pretentious ambitions of "literary" fiction. Note that I'm not saying that ambition is wrong, just that pretentious attempts at originality are hard to read.

“We’re seeing a resurgence, and we’re seeing it across all markets — trade, academic, professional,” said Tina Jordan, the vice president of the Association of American Publishers. “In each category we’re seeing growth. The printed word is alive and well whether it takes a paper delivery or digital delivery.”

One of the strongest growth areas was adult fiction, which had a revenue increase of 8.8 percent over three years.

NY Times.

The article has inspired a rollicking discussion in the comments, with readers asserting things such as, they will not buy e-book readers until they have chosen "One App to Rule Them All"; that reading YA is like eating Snickers; that adults stopped reading deeply at age 12; that ebook readers may well go through the same technology changes as computer disks, and nobody can read 5 1/4" disks any more, so why not stick with real books unless for traveling light? That last is a good point. Current ebooks might be the 8-track tapes of the future.

Never Finished, Only Abandoned: Artists and the Perfectionism Trap

A WSJ article on the newly restored Orson Welles film has us thinking about perfectionism.

"Any form of limitation, obligation, responsibility or enforced duty was intolerable to him, rendering him claustrophobic and destructive." That's the wrong kind of perfectionism, and it led, as it usually does, to disaster.

The article goes on to chronicle how he lost credibility with Hollywood because of his demands for unlimited tolerance and funding, and had to go the indie route, where he did not have sufficient resources to realize his vision.

With writing, it's more a time issue. We haven't got forever to finish a work, even if we haven't got an entire cast and crew standing by. I find that "limitation" can be freeing, when you commit to a form, a plot or a deadline, even. Then you just do it. Which is not to say every work must fit the same form or any particular form.

The wisest artists are the ones who finish a new work, walk away and move on to the next project. Whenever a colleague pointed out a "mistake" in one of Dmitri Shostakovich's compositions, he invariably responded, "Oh, I'll fix that in my next piece."

I think we have to accept that what we do is the best we can do at the moment. That's hard, because not only do we see it, but our audience also sees that this is the best we can do. We have to own our limitations and move on, and in creative work it's so subjective. Almost no matter how well you do, there will be some who don't like it. But endless revising limits our output and experimentation, which in turn limits innovation. The article's author, Terry Teachout, says perfectionism begins with indecision, but it's just as likely they are the same thing, not being able to decide which way to take a piece, how much to polish, if it is done, etc. Perfectionism is there at each stage.

And, it's not just in writing and making art. I had this issue when training for martial arts tests, and waited too long for my first level black belt. An instructor explained that to me, saying, "if your test is perfect, you waited too long." It only has to work, and this is something much less subjective in martial arts than in art, writing, film, etc.

We have to make sure our standards work, that they contribute to our output.

Is there a book in it?

I was reading a literary agency website, and found this:

There's a cartoon that shows two women nursing cocktails and one is saying to the other: "I'm marrying Marvin. I think there's a book in it."

Which got me thinking if that's a good question for writers to apply to all the things we do. Is there a book in it? Or maybe there's a book in everything? I remember one of my writing students who was a great writer, beautiful voice, good storyteller, but she was convinced there was nothing interesting about her life. And there are others, not in my class, but I've heard, who are convinced everything they do is fascinating. Somewhere in the middle is the book. A good deal of what we do can be told in a way that makes it fascinating to a reader, but there's a lot to be said for adventure, too. Btw, who's Marvin?